Why was there a moral panic over cinema in India in the 1990s? Shohini Ghosh, media scholar, explains.
We look back at Vinta Nanda’s ‘Tara,’ and explore what made it so transgressive.
“Mr Malcolm’s List” has arrived to fill the post-Bridgerton vacuum, signalling a conservative undercurrent in pop culture.
The irony lies in the title of the show — everyone is stuck in a cycle of ambition, defeat, and greed.