Poulomi Das
Poulomi Das writes about film, pop culture, and gender. And dreams of french fries, unaffordable vacations, and Netflix. Tweet to her at @PouloCruelo.
“Sir” Joins Small Canon of Films Challenging Bollywood’s Classist, Formulaic Depiction of Domestic Workers
Society
![sir film review](https://cdn.sanity.io/images/68lp9qid/production/d9a94654787f9b1914307835102a21351dfab4b2-3240x3240.png/SR.png?rect=0,46,3240,3149&w=320&h=311&fit=min&auto=format)
‘Thugs Of Hindostan’ Continues Bollywood’s Trend of Making Men the Stars of Women’s Stories
Society
![thugs of hindostan review](https://cdn.sanity.io/images/68lp9qid/production/9f1c5687a80fba48ec7da2d643d122f15b8a980d-1200x630.jpg/TOH.jpg?rect=276,0,648,630&w=320&h=311&fit=min&auto=format)
Bollywood Doesn’t Just Protect Predators, It Produces A Culture That Glorifies Them
Society
![Tanushree Dutta Nana Patekar](https://cdn.sanity.io/images/68lp9qid/production/9f099ed12c2a4b2b8f21dab80a47ddbb0a9f38cb-1200x630.jpg/bollywood-protects-its-own.jpg?rect=276,0,648,630&w=320&h=311&fit=min&auto=format)